ALL MY EXES ARE FUCKING CRIMINALS
So why the fuck did you come back to Osaka, genius, when five of them now share the same gang?
Plot
WELCOME HOME,YOU FUCKING IDIOT. OSAKA REMEMBERS. YOUR EXES DEFINITELY DO. HOME IS STILL HERE. THAT IS THE PROBLEM. The trains still scream over steel. Konbini lights still stain wet pavement. Cheap food still tastes better after midnight. Old streets still know how to make a bad day feel survivable. For one stupid, beautiful minute, coming back almost feels good. THEN YOU FIND THE FIVE OF THEM. Kanna. Mei. Renka. Shiori. Mako. Five exes. One criminal organization. One returning dumbass standing directly in the blast radius. CONGRATULATIONS. YOU HAVE HISTORY. Unfortunately, history is not a loyalty card. EX STATUS Past intimacy, not present ownership. TRUST Earn it again. Try not to fuck it up twice. LOVE Possible. Complicated. Never owed. THEM They had lives after you. Shocking concept, apparently. THE GANG DID NOT FREEZE WHILE YOU WERE GONE Jobs got done. People got promoted. Grudges fermented. New friendships formed. New lovers happened. Territory changed hands. Everyone developed opinions you were not around to influence. You came home to people, not save files. THE WOMEN WHO KEPT SHIT RUNNING Tomoe, Nagi, Yuzu, Chika, Fumi. Competence, gossip, tools, medicine, logistics, attitude. None of them were waiting at the door holding a fucking welcome basket. THE BASTARDS WHO ACTUALLY WORK HERE Daichi, Tetsu, Koji, Goro. Rank, muscle, old history, ugly opinions. Some remember you. Some do not care. A few may decide your face improves dramatically after impact. YOU ARE NOT THE CENTER OF THIS FUCKING CITY. People have jobs, debts, crushes, grudges, loyalties, addictions, rivals, side hustles, bad mornings and plans that do not include you. NPCs can like you and still tell you to fuck off. They can love you and choose someone else. They can help you and expect repayment. They can remember what you did. YOUNG BLOOD. OLD PROBLEMS. Saki, Ritsu, Asami, Riku, Haru. Bookmaking, ink, security, ambition, stolen goods. Everybody has a hustle. You are merely fresh material for conversation. MONEY HAS FRIENDS. MONEY HAS TEETH. Kenzo, Kota, Arata, Shun. Fights, engines, loans, routes, smuggling. The shadow economy does not give a shit about your romantic character development. OTHER PEOPLE OWN PIECES OF OSAKA. Kaede, Masato, Kyo. Rival power does not exist to make your exes look cooler. Territory, leverage and retaliation continue whether you flirt, hide, fight or embarrass yourself professionally. AND THEN THERE IS THE REST OF THE CITY. Izumi, Eiji, Hina, Gen. Police pressure, neighborhood memory, ordinary business, rent, gossip and people who would prefer criminals stop turning their street into a personality disorder. SO WHAT THE FUCK IS AT STAKE? Your relationships. Five histories can reopen, rot further, mutate into friendship, ignite again, or finally die. Your place in Osaka. Every favor, insult, beating, debt, lie and alliance changes who tolerates you and why. Other people's lives. Criminal pressure spills into jobs, homes, territory, investigations and ordinary streets. Your body. Violence is physical. Enemies do not politely wait because you are the player. Your pride. Frankly, this one was doomed before the story started. BUT THIS IS STILL A HOMECOMING There will be stupid laughter. Late meals. Familiar songs. Repairs at ungodly hours. Somebody remembering a tiny detail you thought was dead. Somebody insulting you while making sure you ate. Joy is allowed here. So is warmth. It just lives beside knives, debt and spectacularly bad romantic decisions. NO HAREM WARRANTY. NO HERO WARRANTY. Nobody owes you romance because you dated them. Nobody owes you obedience because your name is on the player slot. Be charming. Be useful. Be terrifying. Be a complete fucking disaster. The city will answer whichever version you actually become. CODEX FUNCTION: DEFAULT ON Codex helps preserve character history, relationships, consequences, known information, injuries, faction movement and other continuity-heavy state. You can turn Codex OFF.But expect some inconsistencies, forgotten details or continuity drift because apparently thirty criminals, five exes and your terrible decisions are a perfectly reasonable amount of shit to track manually. If something breaks, drifts, contradicts itself or acts weird, leave feedback in the comments. Specific examples help improve the storyline instead of making me divine your complaint from smoke signals. COME HOME. GET INSULTED. FALL IN LOVE AGAIN. OR FUCK EVERYTHING UP WORSE. WELCOME BACK TO OSAKA, DUMBASS. WE MISSED YOU.
Opening scene
>[Day 1 | Time: 16:45 | Location: Osaka Station Platform] *The train doors open. Warm platform air replaces the carriage chill. Suitcase wheels and station announcements mix with the crowd moving toward the stairs.* *No familiar face is visible nearby. Your phone stays quiet. Two commuters argue over the exit map while a cleaner pushes a cart past them.* **???:** "No, Exit Three. THREE." **???:** "Then stop walking toward Exit Two, genius."
Characters
- Kanna
- Mei
- Renka
- Shiori
- Mako
- Tomoe
- Nagi
- Yuzu
- Chika
- Fumi
- Daichi
- Tetsu
- Koji
- Goro
- Saki
- Ritsu
- Asami
- Riku
- Haru
- Kenzo
- Kaede
- Izumi
- Hina
- Masato
- Kyo
- Eiji
- Kota
- Gen
- Arata
- Shun
Tags: Modern Urban Romance Comedy Ex Multiple Mafia Female MalePOV EnemiesToLovers Reunion Jealous Possessive Manipulative Arrogant Cold Playful Dangerous Violence Revenge Family Workplace Tense Suspense SlowBurn Angst Fluff Tattooed Pierced Police
Chats Started: 240
Stories
- Elves Rule the World
- Oh... It's You Again.
- Just an E-Rank Delver
- A Normal Superhero Story
- My Grandmother Told Me to Get Married
- You're a Fox!?
Redirecting to ISEKAI ZERO...